Friday, July 15, 2016

MEN'S CROQUIS AND CLOTHING

In the real world, although men are generally taller and broader than their female counterparts, men’s and women’s proportions are about the same. But in the fashion illustration world, things get a little more complicated. Both men and women are 9 heads tall, but you must distribute the height differently: Women have longer legs, whereas men have longer torsos.

MALE CROQUIS

Here is a drawing exercise of  a male croquis compared to a female croquis: (Note: We are using nine heads)


The main one being that closings on men’s clothes are form right to left on the drawing (left to right on the body). Suits are often drawn worn with formal shirts and ties. When drawing the shirts, make sure that the shirt collar covers most of the neck and is placed above the jacket collar. In front view, little, if any at all, of the neck and is placed above the jacket collar. In front view, little if any at all, of the neck is visible between the jaw and the top of the collar: long, elegant necks do not feature in fashion poses for men. The same attention to detail, precision of line and symmetry are present in men’s tailored garments as in women’s
 1. The male head is slightly larger than the female head. It is squarer, with flat planes and more prominent features. The jaw is wider, the nose stronger, the forehead more prominent, cheekbones higher. The mouth is wider and the lips particularly the upper lip, are not as full as in the female face; the eyes are less rounded. The neck is thicker than the females’. 
2. Men’s shoulders are wider and straighter than women’s closer to two heads wider as opposed to a woman’s one and a half heads. In contrast to women the shoulders are also wider than the hips. The arms are thicker and more muscled and the hands are larger. 
3. The chest is wider than a women’s, as is the back.
4. The torso is slightly longer than a woman’s. The waist is lower and not as tapered; the hips are prominent and the pelvis area is smaller. 
5. Male legs are slightly shorter than women’s, with much larger muscles, knees and feet. Hands are wider and fingers thicker than women’s. 



Here are drawing exercises of Male croquis 


Male croquis three-quarter back, front S curve






Male Face


1. Drawing the Face Shape
Generally, men have longer and larger faces. When drawing a male portrait, adding square aspects to it gives  sharpness to corners of the male face, jawline, and neck line.

2. Drawing the Eyebrows
Men tend to have thicker eyebrows as opposed to women. You can accentuate male features further by drawing the eyebrows without curves, opting for sharp corners instead of giving eyebrows soft curve which soften the face more.

3. Drawing the Eyes
For the eyes, the main thing that can make a female drawinng more feminine, is by giving her long lashes that curl outwrds, helping to give the impression of bigger eyes. But for the males, keeping the lashes very short (or sometimes, not drawing any lashes at all) will help the eyes appear more masculine. Another thing you can do to give the eyes a more masculine effect, you can base them off rectangular shapes, and draw sharper corners and use straight lines. Drawing the eyes on a square/rectangular base will give a sleeker appearance.

4. Drawing the Nose
Tricks to make a nose look more feminine would be to make any focus on the nose to a minimum, this is mainly so that the viewer looking onto the portrait would direct their focus on the eyes and lips. The main thing that could be suggested would be to focus the details along the nostril shape and the tip of the nose, along with the nostrils, leaving the definition and depth of the bridge and ridge of the nose to a minimum.  This is the opposite with males when wanting to add a more masculine feel to the portrait.  Use angular shapes and sharp edges create a more chiseled look. Drawing a nose with sharp edges and straight lines will give it a chiseled appearances.

5. Drawing the Cheekbones and Cheeks
The main way to shape cheek definition would be through the light source and how the shadow hits those areas, but you can add thin lines to show where the cheekbone would be. For a man you are more likely to draw the line of where the bottom edge of the cheekbone is, this will allow it to define the area where the cheek would shape the lower part of the face, giving it a sharp cutoff. Like the nose, drawing sharp corners and straight lines to  define the cheeks and cheekbones will give the face  a more chiseled look.

6. Drawing the Mouth and Lips
The mouth can really help make  a portrait more masculine or feminine. You can sometimes leave out the upper lip entirely. For a more realistic look, you can give the indent centered between nose and mouth extra detailing so it helps clarify where the upper lip would start and give the bottom lip more detail. Otherwise, if you wish to draw the lips entirely, you can give the male a very thin upper lip. Or you can give him a wide mouth. By drawing quite a thin upper lip, you could  lose focus on the mouth, but by making it wider, you'll even out the loss of the upper lip definition. Applying next to no definition on the upper lip on a man's portrait will help give it a more masculine aspect.

7. Drawing the Chin and Jaw
The chin and the jaw go hand on hand. Much like all other areas  of a face, to make a face appear more masculine, you'd aim to draw a very strong jawline and square chin. For a masculine feel, allowing a lot of focus and detail to go in the chin and jaw, would be very important. So far we have been making the male features very sleek and sharp. The jawline and chin wouldn't have to be. They can be a bit rougher and prominent as those two areas  will be one of the main things that will help make a portrait more masculine. The moment you give a male portrait a small, none prominent chin and no definition in the jaw line, the other details added to the eyes, eyebrows, nose and mouth won't be as effective. The jawline and chin are probably one of the most  handy features to accentuate masculinity in a portrait.

8. Drawing the Neck and Throat
Naturally the first thing you'd want to do is give the male portrait an Adam's apple. Another thing that can really help pronounce masculinity is by giving male drawings shorter and thicker neck.While thicker necks could give an air of stoutness, it also brings an aspect of added muscle. 

9. Drawing the Hair
The most obvious way to make a portrait look more masculine, would be to add facial hair of course. Even a five o'clock shadow can do the trick without actually needing to draw any hairs. If the facial features are prominently masculine, giving a male portrait longer hair won't take that away. The hairline for a man is further back than a woman, giving the appearance of a larger forehead.

10. Shadows
For men, no matter where the light source is coming form, giving the shadow sharper edges and more of a square aspect, will help add extra definition to the straight lines and sharp corners you've drawn for the lines. For men, highlighting the edge of the draw will help draw attention to that area. The sharp edges of the shadows pronounce the straight lines of the face.





MALE CROQUIS WITH CLOTHING

1. Outfit for the weekend. For the weekend, pullovers are ideal during this type of weather. Since we're entering the rainy season, layering up with a pullover with polo under gives you a casual look and at the same time, a semi-formal feel. Whether going out to work or hanging out to catch up with friends, this outfit is comfy and stylish. 


2. Business Meeting Outfit. Once the weather starts to change, it can be difficult to maintain your style standards. There are still leaves on the trees, in the middle of the day is still relatively warm and public transport can still be sticky, sweaty challenge. But there is now unexpected rain showers, cold gust of wind and sudden temperature drops to contend with. One way to solve this problem is to do the layering style, it allows you to quickly add and remove garments. It's a simple but effective way of combating unexpected shifts of climate. For business meetings, the phrase "formal attire" is badly misunderstood in modern society. Formal attire does not mean suits and ties! It is a substantially higher dress code, requiring clothes that most men don't own. You can pair your trousers with a roll neck jumper and layer it with a notch neck suit and put that penny loafer shoe on and you're good to go!!!


3. Travel Outfit. When travelling, ideally men will benefit from a lightweight linen or cotton shirt or t-shirt whilst on their travels especially to hotter climates. Thinner materials like these are dense enough to protect the skin from sun rays but ate also light enough to keep you cool. You don't have to stick to the usual, casual white linene shirt, with a wide range of color and pattern choices available is easy to get yourself noticed. If your destination is cooler on the evenings why not add a light jacket to your shirt? This will not only add layers and depth but will also keep you warm on chillier evenings. You can layer your sleeveless top with a shawl neck cardigan and pair it with a jeans and put your boots on. Adventures are waiting for you!!


4. Sports Outfit. Let's say that the male in trunks is going to participate in a swimming competition. Ready to compite and to the other swimmers in a let's in a designer trunks. Now, trunks are designed from hydrophobic materials, fibers or fabrics. Meaning they are either made from synthetic materials or light material that could easily and could quickly dry when they are out of the water. If u try to use local materials or fabrics like cotton or denim they would just hinder the swimmer. Since like this two example; they are comfortable and light. But both could heavily absorb water or any type of liquid and would annoyingly cling to the skin. For a swimmers case; more weight and less boyancy. And trunks and/or swimsuits are made from lighter and hydrophobic materials in which a swimmer could easily glide and skim through water. They are also made in such a way to either saw great assets and complete access to movement. Trunks are breifs or even loos-sitting shorts. They are also known as swimming trunks or even bathing trunks, but are shorter than a board that reach down to the wearers knees. Though they varied in style and design, they are made nylon and could easily and could quickly dry.




5. Club Outfit in Denim or Leather. A nightclub is where fashion people go out and have fun. A leather jacket is one common fashion for men when going in clubs and it’s very popular apparel. The leather jacket reflects the disco lights into the jacket that makes it more attractive. To those who have worn the garment for protective or fashionable reasons, and occasionally to create a potentially intimidating appearance. Going out wearing leather jacket looks cool and chic. Pair with an oversized shirt under the leather jacket would be perfect. The oversized shirt can be paired of any styles. It’s a unique kind of style but it depends on how the wearer would wear it in style. A very good pair for the leather jacket and an oversized shirt is denim jeans. It’s comfortable to wear in style. Jeans remain a popular fashion item, and they come in various fits, including skinny, tapered, slim, straight, boot cut, cigarette bottom, narrow bottom, bell bottom, low waist, anti-fit, and flare. Same as the leather jacket, denim jeans is also very popular around the world. It was created for casuals but could also be fitted in some occasion but it depends on how you wear it. It’s a very good combination of leather jacket and denim jeans. Then pair it with an oversized jacket. About the shoes, for me this kind of shoes looks good in any kind of styles.



Sources:

Peters, N. (August 30, 2013). The Differences Between Male and Female Portraits. Retrieved July 2, 2016, from http://design.tutsplus.com/articles/the-differences-between-male-and-female-portraits--vector-14954

Sanchez, L. (n.d.). Men and Men's Clothing [PPT].



Tasks of Group Members



Tracer/s

   Abas, Sweet Childe
   
Illustrator/s
   Armamento, Glizza Marie
  Caparoso, Nicole Karen
  Varron, Joaliza Valere



Description/s

  Oraya, Rumiko Zeina
  Rosas, Alexa Venice
  Subingsubing, Ericka



Blog creator:

  Young, Diana



Blog Manager:

  Oraya, Rumiko Zeina
  Anggana, Hanah Sherry

FLATS

Flats are two-dimensional drawings of garments with all proportions and measurements made exactly to scale, like architectural blueprint drawings. These are also called technical drawings of garments without the croquis. Flat drawings on paper are like garments laid on a flat surface, hence the term Flats. When flats are accompanied by corresponding measurements, details and prints of garments, it is known as "specs" (short for specifications) and provide a definition exact enough to allow a garment to be constructed. These flats are known as "production flats." These are necessary to easily convey your design to pattern makers, dressmakers, and other technical experts. This way, it'll be easier for them to understand your design which is essential and a very vital part of producing the garment.


TEMPLATE

(left: Bodysuit/knitwear template; right: Bodysuit/knitwear template over 8-head croquis)
Tracing by: R.Oraya . 2016


Characteristics of Flats

1. Flats are symmetrical. The left and right sides of the garment are match exactly except for asymmetrical garments. To ensure your flat drawing is symmetrical, you can draw the garment from a center-front line, trace over that drawing, flip it and trace again to give it a mirror image for the other side.
2. As mentioned, flats are eight heads, reflecting real proportions. Same proportions with the nine heads but with legs one head shorter. Flats are drawn slightly wider and larger than garments on a nine-head croquis.
3. Flats should be first drawn in pencil (always use a very sharp pencil) and then inked in when correct. French curves and rulers should always be used.
4. Especially when beginning to draw flats, sketch on top of the eight head croquis templates and always indicate center-front line and make sure measurements are symmetrical on either side of that line.
5. All seams and other constructional details must be included in flats, drawn to the scale of the garment. For garments with sleeves, arms are drawn away from the body in order to show the silhouette of the sleeves. If sleeves contain details on the underside, one or both arms can be shown bent at 45˚ angle so the detail is revealed.

Precision of Line

- Lines used in flats have to precise, smooth and with no jagged edges or wobbles so that the exact shape of the garments is made crystal clear.
- Flats, particularly when learning to draw them, are first drawn in pencil, but the final presentation is made using a fine point ink pen that produces a smooth, even line.


Materials for Drawing Flats

PENS:         0.5 for silhouettes
                  0.3 for detailing
                  0.1 for shadow on buttons, pockets, collars, etc.
PAPER:       Layout or copy paper
                  Tracing paper
MARKER:    (for shading) ---10% grey
RULER:       6” Transparent plastic
FRENCH CURVE
ERASER
WHITE-OUT CORRECTING FLUID
PENCIL SHARPENER (Electric sharpeners are best)

*Marks used on knitted garments to show where parts of the garment are sewn to the main body - Diagonal lines
* Usual lineweight for drawing flats, made with a 0.3 pen
*Blind stitching (evenly placed dots on the stitched part), made with a 0.3 pen
*Usual lineweight for shading flats made with a 0.1 pen. Strokes are of your choice.
*Saddle stitching, made with a .01 pen for the horizontal line and 0.3 pen for stitches.
*Top stitching (consecutive evenly placed dash lines), made with a 0.1
*Double-needle top stitch (two rows/columns of parallel topstitching), made with a 0.1 pen.


Drawing Tailored Jacket Flats

Traced Tailored Jacket by S.Abas, 2016

1. Establish center-front and position of buttons. The tailored jacket shown above is single breasted, so the buttons will be on the center-front line. Space evenly by marking the center of each button.
2. Draw in the opening of the jacket by extending lines from the center front to the breakpoints of the collar on each side.
3. Add buttons, then the roll of the collar hugging the neck, and drawing a slightly curved line form the neck to the break point.
4. Repeat on the other side. (Note that this line will extend to the imaginary break point on the other side of the jacket. If this is done correctly, the ends of the collar rolls will be at the center front.)
5. Establish the finished length of the coat.
6. Make allowance for the thickness of the shoulder pads (incorporate into the croquis).
7. Establish the hem line shape at the front and pencil in. Again, measure from center-front to check symmetry.
8. Add on the “shell” of the jacket.
9. Ink in details and add buttonholes (usually keyhole on tailored jackets).
10. Add top stitching (if any)
11. Add shading to give depth under the collar, lapel and back.
Note: Tailored jackets generally have two-piece sleeves. Do not forget to show the seams.



Flippover Flats

A common way to draw flat is, drawing on tracing paper, to draw half flat, fold the drawn half under the paper so it becomes its mirror image, trace over that onto the other half under the paper so it becomes its mirror image, trace over trace over that onto the half of the paper and open out the paper with the complete flat. This technique can save time and ensures the flat will be symmetrical about the center-front line.


Traced Flats

Flat: Sleeves with ribbons (H. Anggana, 2016)
Flat: Blouse with puffed sleeves (by H. Anggana, 2016)

Flat: Round-necked Sweater (H. Anggana, 2016)
Flat: Polo with a classic collar (H. Anggana, 2016)

Flat: Three-fourths puffed sleeve (H. Anggana, 2016)


Flat Drawings (with Shading)


Three-piece Executive Suit
Illustrated by N. Caparoso & R. Oraya, 2016

Blouse and Pencil Skirt
Illustrated by R. Oraya & N. Caparoso, 2016



































Sources:

 Sanchez, L. (n.d.). Children and Children's Clothing [PPT]. 

Tasks of Group Members:

Tracer/s   Abas, Sweet Childe
   Anggana, Hanah Sherry
   Oraya, Rumiko Zeina

Illustrator/s
  Oraya, Rumiko Zeina
  Caparoso, Nicole Karen
  Varron, Joaliza Valere

Description/s

  Armamento, Glizza Marie

Scanner:
  Subingsubing, Ericka
  Rosas, Alexa Venice
  Young, Diana

Blog Manager
   Armamento, Glizza Marie
   Anggana, Hanah Sherry





Friday, July 8, 2016

CHILDREN'S CROQUIS AND CHILDREN'S CLOTHING

We've started this world on Earth as toddlers. It started with little muscle tissues before we get to the stage of becoming an adult. Human as we are, our growth is a process during our life on Earth. Now, this blog is about to introduce you of our sketches to show you what was it like in a piece of paper the images of children. 

Try to read this information before we begin:

Renaissance artists---the great Leonardo da Vinci just as much as lesser artists---were able to master the complexities of perspective drawing and drawing the adult figure and face, but for the most part, for some unexplained reason, never mastered the art of drawing children: most of the children in Renaissance paintings look like little old men and women. Children do not really look like old men and women, of course, and artist in following centuries were able to capture their likenesses admirably, but we must avoid the Renaissance (or any approach) that distorts how children actually are:



Children are different from adults in many ways, and must be drawn with care if they are to look natural and convincing.


YOUNG AND OLDER CHILDREN CROQUIS


YOUNG CHILDREN CROQUIS

INFANTS, TODDLER, SMALL CHILD
Children’s bodies and faces have different proportions, shapes and textures to adult bodies and faces. Children’s faces and facial features are soft and round with few planes. Until they are almost into their teens, little bone structure can be discerned in their faces, or muscles on their bodies (That was the main mistake the Renaissance artists made---they drew scaled-down, developed “adult” facial and body features rather than real children’s features).

 Because of this, children should be drawn with a light touch to convey the softness of their features.

The shapes of the accessories---toys, bags and so on---that children favor at different ages can often be used effectively in a drawing to echo the rounded shapes of their bodies change quickly from year to year and so care has to be taken to draw the croquis that corresponds to their age. The different croquis are shown here and the differences between them should be studied.


OLDER CHILDREN CROQUIS

7-9, 11-12
The ways children differ from adults other than the purely physical are also significant when portraying them in fashion drawings.

Children are not sophisticated in their facial expressions and bodily poses; they are loose-limbed and playful and often pose in ways that would look silly or awkward in an adult.

This is not to say, though that they do not have personalities: children are (usually, but not always!) sweet and innocent but also complex and multi-dimensional: modern designers create beautiful garments for children that recognize and respond to this.

To do them justice, then, children’s croquis should be drawn with typical natural poses and attention to detail.

HERE ARE SOME CHILDREN WITH CLOTHING ON SPECIFIC AGE CATEGORIES



Three complete female children garments on three different age categories (toddler, young girl, teenager).











From the pictures above, you can see there are three versions of the same dress. One for a toddler, a young girl and a teenager. These dresses are all appropriate for both semi-formal and casual wear. They are also ideal for the rainy season and the days in between that are also sunny because the fabrics are lightweight and they aren't too thick and too tight for the children to wear.


A group of three teenage female children in party dresses


Teenagers like to go to parties. Nowadays, parties are considered part of youth that a person who has not gone to any party is said to never really have experienced youth. If you want to dress up for a party, you can always pick a nice dress or throw in a top and skirt. The off the shoulder dress, a top with tulle tutu and a halter dress are all ideal because you can move even more freely as you do in a party (especially since your bottom part is a skirt) without the hassle of feeling trapped or suffocated in your own outfit. The outfits can also be worn casually.

and the same group in blouse and pants



If you don't really want to dress up for a party, you can always  choose to dress casually for a party. An off the shoulder top is one of the best options to wear for a party since you'll be moving around a lot and it doesn't feel like you're being suffocated by the clothes you're wearing. It is then paired with a high-waist denim jeans. A sleeveless crop top is also a good choice to wear. Sleeveless crop tops are usually made from cotton polyester or sometimes cotton spandex (to give it a little stretch). Since cotton is a very soft material, it provides really good moisture absorption while polyester is a more durable product. The sleeveless crop top is then paired with jogger pants. Jogger pants are also usually made of cotton polyester. You can be very comfortable rocking that dance floor! The last option would be jumpsuit/romper. Jumpsuits are easy to pull off because you can just add a blazer that fits with the jumpsuit, a purse, or any accessories you need for the night. Accessories can be minimal. Jumpsuits are really comfortable especially with the wide leg bottom.




A young girl and a young boy going to a party

Parents might think it’s not a good idea for their kids to attend parties. But for a kiddie party, it’s possible, only guided by these etiquettes.
(1) For kids 3-6, they should be accompanied by older ones (maybe their parents or nannies).
(2) Children start to participate in decisions about their clothes around this age so let them choose what they like.
In the picture,
 the boy’s wearing a jacket, checkered shorts, belt, and high cut sneakers while the girl’s wearing a striped long sleeved blouse inside and a striped leggings paired with leather boots and over-dress all picked by themselves.
(3) Let them enjoy the moments to hang out with other kids for their childhood to be filled with fun and happiness.



A young girl and a young boy going to a beach

Beach is probably one of the best places kids love to visit especially during summer. Beach is a big deal for them, isn’t it? Parents will see in their eyes the excitement every time they say, “we’re going to the beach!” - Therefore, children’s outfit should not absorb heat coming from the sun to avoid irritation and therefore, their fun won't be interrupted. In this drawing, the little boy’s wearing a sando, beach shorts paired with slippers and a floaty ready to swim in the vast ocean of childhood and cuteness. The little girl’s wearing a floral two-piece swimsuit with denim shorts and slippers looking young and beautiful in pigtails. #everylittlegirlshairstyle


A young girl and a young boy going to a wedding

When we think of wedding, outfits are mostly picked accordingly with established form, custom or rule - meaning, formal. Number of invited children in weddings is not enormous unlike adults...only those who are part of the entourage and some family members made up the kids presence in such occasion.
For the girl, she is wearing a formal dress in ribbon waistband, closed shoes and a ponytail while the boy wears a long sleeve polo shirt with a tie and a vest plus, trousers and leather shoes. Both looking formally attractive.


Sources:

 Sanchez, L. (n.d.). Children and Children's Clothing [PPT]. 

Tasks of Group Members:

Tracer/s
   Abas, Sweet Childe
   
Illustrator/s
   Armamento, Glizza Marie
  Caparoso, Nicole Karen
  Varron, Joaliza Valere
  Rosas, Alexa Venice

Scanner
  Subingsubing, Ericka

Description/s
  Oraya, Rumiko Zeina
  Young, Diana Frances

Blog creator:

  Young, Diana


Comment on blogs

  Oraya, Rumiko
  Subingsubing, Ericka
  Anggana, Hanah Sherry
Blog Manager:
  Oraya, Rumiko Zeina
  Anggana, Hanah Sherry